History

history1For more than four decades, the Grains of Time have been part of NC State’s campus life. Performing a wide variety of music with the use of just eight men’s voices, the group remains one of a kind when compared to most collegiate a cappella groups. Bridging contemporary collegiate a cappella with that of professional groups, they create a performance style that lends itself to both excellent musicianship and showmanship, and all without any outside directors, funding, or even a formal music major. Though officially styled as NC State University’s premiere men’s a cappella group, to their loyal fans they are known simply as “the Grains.”

The earliest roots of the Grains can be traced back to 1966, when a “NCSU Men’s Quartet” was formed as a subset of the Varsity Men’s Glee Club. At the time the Glee Club was the only choral group on campus, whose student population was largely male. By 1968 second-year director Milton Bliss quickly saw the need for a smaller, more contemporary styled and elite vocal group to supplement shows performed by the Glee Club, particularly on the annual spring tour. In November of that year, the new group held its inaugural auditions and took on eight members including two guitar players. By spring this new group, then known as the N.C. Statesmen, made its debut on the 1969 Concert Tour, performing then-popular songs “Up, Up and Away” and “What Now My Love.”

After several months, the group looked to revise its name, and while rehearsing in Thompson Theatre came up with two ideas: “Grains of Sand” and “Sands of Time.” Neither title truly pleased every member, so the group combined the two to become known as “Grains of Time.” Over the next several years the Grains traveled with the Men’s Glee Club to local high schools and colleges, and also competed in several intercollegiate competitions, finishing as high as second place. During the 1970s and 80s, the group continued performing pop, oldies, country, and barbershop pieces occasionally with the use of guitars before becoming exclusively a cappella in the mid 1980s. The Grains still perform a staple piece from this era, “Swing Low, Sweet Chariot” (“Swing Down Chariot”) to this day.

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The Grains performing at their 40th Anniversary concert in 2009 The 1990s saw many new strides for the now all- vocal group. In 1993 the Grains held their first concert in Stewart Theatre, now a bi-annual event, and released their first album, “Forever Unplugged.” Over the next few years the Grains traveled to Europe, Canada, and many US states on their annual tour and performed the National Anthem for such notable franchises as the Atlanta Braves and even the Golden State Warriors.

Recent years have brought many significant developments for the Grains, beginning with three international tours capped off by a trip to the finals of the International Championship of Collegiate A Cappella (ICCA) in 2003. Alumnus Mark Hines won best arrangement for his version of “Homeward Bound,” a traditional Irish folk tune. In 2004 James Wallace introduced vocal percussion on the song “Celebrate,” creating a more contemporary performance style that continues today.

Today Grains can be found working on new music in Price Music Center, or busting a move learning Choreography in Carmichael. We always commit to giving the best show to our audience as possible. We do this through our love of music, brotherhood, and performing for the joy of others. From ICCA Semifinals in Nashville, TN to SoJam right here in the Triangle; The Grains of Time is a name that everyone knows to mean a energetic performance with plenty of top hits and good old classics.

01.As Long As You Love Me/Too Close // .Rock Out With Your Clock Out
  1. 01.As Long As You Love Me/Too Close // .Rock Out With Your Clock Out
  2. 02.Holy Grail/Sail // .Rock Out With Your Clock Out
  3. 03.Dark Horse/ET // .Rock Out With Your Clock Out
  4. 04.Wayfaring Stranger // .Rock Out With Your Clock Out
  5. 05.Everybody Talks // .Rock Out With Your Clock Out
  6. 06.My Songs Know What You Did In the Dark // .Rock Out With Your Clock Out
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